Interface 2.0 is a short video essay that I produced for this issue of Frames. It engages with Harun Farocki’s 1995 short Schnittstelle (Interface). Schnittstelle was originally a two-screen installation made for the Lille Museum of Modern Art, and later adapted into a single channel video combining the two screens. In Schnittstelle, Farocki depicts his editing practices and reflects on the differences between working with film and video, as well as found footage and newly filmed material.

This video essay is not intended as a finished work, but an initial engagement with Farocki and his work. It takes Farocki’s work as a model, as a way to engage with, re-enact, and critically interrogate the original, within the context of the current proliferation and practice of online video essays and videographic film studies.