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The Nutty Professor
Viewed August 21, 1999 on video
Is Eddie Murphy one of the most
talented actors out there?
Most definitely, though that comment needs to be
qualified. There
is no questioning his versatility, energy and charisma,
his ability to occupy multiple characters and breathe a
lot of life and even a bit of truth into them.
However his impersonations often risk becoming
caricatures rather than characters.
Jonathan Rosenbaum wrote an intelligent piece
comparing the two Nutty Professors, preferring Jerry
Lewis’ performance to Murphy’s.
His reason was that Lewis put his actual persona
on the line, bringing to scrutiny his own famous
wackiness and pondering what his career and life would
be if he were allowed to be the ultra-suave alter ego he
portrays. Murphy
is neither obese nor oversexed, so there isn’t the
personal investment in either Jeckyll or Hyde role that
we see in Lewis’ version, but this is still the best
work Murphy has done is over a decade at least, and it
really got me excited to think what this actor can
accomplish if he puts more of himself on the line.
I think what is noteworthy is that Murphy in his
multiple roles could have been a lot more cartoonishly
over the top and out of control but chose to seek the
essence of each role he played (his Richard Simmons riff
is almost impossible to distinguish from the original).
The Buddy Love character, as pure id, was
probably the easiest for him to play.
The family members were, basically, his family
members. It
is Sherman Klump that lets Murphy show his capacity for
sensitivity. He
doesn’t do it all the time sometimes his face
settles for Chaplinesque expressions of pathos but
sometimes, in some unexpected sound in his laugh or just
the look on his heavily padded face, he makes the
character his own, truly.
The next step for him is to bring more of himself
in the character Murphy remains one of Hollywood’s
most elusive stars, quite the opposite to Tom Cruise,
who constantly tears his soul out onscreen to have
us behold how little is actually in there
Murphy has yet to show what he is.
I call him on this only because of what I saw
many years ago on SNL, a man who seemed to conceal a lot
of rage at society, at white folk, and always seemed on
the brink of just throwing down with his enraptured
audience. It’s
that tension that I miss about Eddie Murphy, and Buddy
Love’s unbridled libido has almost no connection to
that. I
hope to see it again, mixed with some of his newfound
tenderness through Klump.
As for the rest of the movie: The guy who played the
sycophantic store clerk to Richard Gere in Pretty Woman
is here in full effect, and he is marvelously shallow,
with averted eyes and a precision deadpan delivery oiled
by greed. Jada
Pinkett has a rather hapless role as the generic
woman-object left in the dark throughout a man’s
personal dilemma. Let’s
face it: the movie is Murphy’s, so credit him for
making it work, in the midst of flying gerbils,
flatulence and flab.
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