SCREENING LOG - 10/15-10/21, 2001

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I watched Iron Monkey, Fires on the Plain, Les Vampires, 400 Blows and Zoolander. In order of preference:

Les Vampires (1914, Louis Feuillade)

I finished parts 5 and 6 of this 8 part serial, and it remains compulsively watchable, thanks in no small part to the appearance of the GRAND VAMPIRE, who lays a paralyzing handshake on his unsuspecting victims. Humor and horror are mixed with a visual and thematic sophistication well ahead of its time.

Fires on the Plain (1959, Kon Ichikawa)

I'm not a big fan of those "best war films ever made" lists that pop up on the Boards; bestowing such honors seems dubious at best. However, I have no qualms with giving this film the rightful claim of being one of the most horrifying depictions of war I've ever seen. This account of defeated WWII Japanese soldiers struggling to survive on a Philipine island depicts a human devastation comparable to Klimov's COME AND SEE -- but what makes this film a superior work is that the horrors aren't attributed solely to the enemy. Ichikawa is all too eager to acknowledge that horror comes from within, and leads to unspeakable acts -- the effects may be sensationalistic but unlike with most war movies, you certainly can't accuse Ichikawa of glamorizing his subject matter.

400 Blows (1959, Francois Truffaut)

Not much I can say about one of the most influential films of its time, other than that it's a must see. The only thing I could think of to knock this masterpiece is that it smells a bit of self-pity, which ended up being the one trait most copied in the countless semi-autobiographical rip-offs that have followed it.

Iron Monkey (1994, Yuen Woo-Ping)

I heard they sped up the fight scenes for the American re-release, but whatever the case it is a superior film to CROUCHING TIGER in so many ways. It's themes are more uniform, the action is more breathtaking, the emotional range is broader and it's more entertaining on the whole. Those who want the soaped-up Masterpiece Theater version of kung fu movies can look elsewhere.

Zoolander (2001, Ben Stiller)

Harmless piece of stylized fluff written, directed and performed by Ben Stiller -- it's nice to see him break out of his hapless schmuck niche and try something more glamorous. The plot is as stupid as the characters and not worth the effort to summarize. I was entertained for a bit before both I and the film ran out of gas halfway through -- I could tell the cast had fun making it, and I felt happy for them.

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