SCREENING LOG -2/23-2/29, 2004

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My Beautiful Laundrette (1985, Stephen Frears)

http://www.imdb.com/title/tt0091578/

yes (awkwardly crafted and yet irrepressibly, refreshingly original in its cast and settings. Seems to me though that Frears has worked steadily to polish the former while perhaps losing sight of the latter)

The Road To Morocco (1942, David Butler)

http://www.imdb.com/title/tt0035262/

yes (I think I need to see more of these Hope-Crosby movies, this one was a delight -- though the climax seems to be an inadvertent reference to the devious 20th century practices of the CIA, played uncomfortably for comic relief.)

Osama (2003, Siddiq Barmak)

http://www.imdb.com/title/tt0368913/

yes (barely -- more for the significance of what is being shown rather than how)

My Architect: A Son's Journey (2003, Nathaniel Kahn)

YES (possibly even better than my two favorite docs of last year, CAPTURING THE FRIEDMANS and THE FOG OF WAR, in that it delves as deeply into ambiguous histories and personal wounds and yet retains all the heart, soul and sincerity that's ultimately missing in the other two... perhaps because the filmmaker has done more to implicate himself in the film than Errol Morris or Andrew Jarecki. The end of this movie is something like a spiritual experience, testifying to the transformative power of art, so I don't feel so bad about missing out on THE PASSION ).

The Adventures of Robin Hood (1938, Michael Curtiz) second viewing

http://www.imdb.com/title/tt0029843/

yes (hadn't realized that I'd seen this as a kid, but then again this is one of those films you feel you've seen whether or not you've actually seen it)

Twentieth Century (1934, Howard Hawks)

http://www.imdb.com/title/tt0025919/

yes (with frequent flashes of YES -- a re-viewing might raise this but sometimes the film simply got on my nerves, though now I see where John Waters' DESPERATE LIVING may have derived its hysterical histrionics! It would have helped if it were paced with the same level of intricately choreographed precision as...)

Bringing Up Baby (1938, Howard Hawks) third viewing

http://www.imdb.com/title/tt0029947/

YES

Pakeezah (1971, Kamal Amrohi) second viewing

http://www.imdb.com/title/tt0067546/

yes (got a better quality version of this which helped me figure out what's good and not so good about this film. It does lavish in swooningly romantic lyricism quite unlike any other Bollywood film I've seen, but not as often or as consistently as I'd like to give it a YES.)

The Cabinet of Dr. Caligari (1919, Robert Wiene) third viewing

http://www.imdb.com/title/tt0010323/

YES

The Gospel According to St. Matthew (1964, Pier Paolo Pasolini) second viewing

http://www.imdb.com/title/tt0058715/

Gibson's brouhaha provoked me to finally watch the DVD given to me as a wedding gift by a certain Pasoliniphile. Much much better than the crap third generation VHS copy I have, it allowed me to appreciate even more deeply the great thing about this film: the faces. I can't think of a more stunning assortment of human faces than in any other film, not prettified or artsified in any way, they're just what they are, and that's beautiful and quite moving, as moving as the task Pasolini asks them to take on so humbly in enacting the Gospel. Still I'm not sure I approve as much of the straight-on literal way Pasolini tells the story, but in its own way it lets the rough edges of the source text show, and those rough edges could work as an entrypoint for an active-minded viewer (as opposed to the passively accepting flock that most Bible movies preach to). Not quite sure I'm convinced of that, so a yes for the handling of the material, a YES YES YES for the faces, averaging out to a YES.

Metropolis (1927, Fritz Lang) third viewing

http://www.imdb.com/title/tt0017136/

YES

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